Crowdsourcing is cool

Its truly amazing what can happen when you put questions out there.  The picture up top is "Pegasus and the Muses" by Girolamo Romanino, painted in the 1540's.  Do you see all the lovely pointy partlets and puffy paned sleeves?  From the front and back?  Whoo-hoo!  I have huge thank yous to dole out for finding this for me.

Ashley was kind enough to point out the pictures of an extant dress with a skirt pleated to the outside of the bodice that Anea has on her site.  I sent Anea an email thanking her for having the pictures up, and she was kind enough to help me even more and tell me about the regional style in Brescia for this type of pointed partlet.  She linked me to several other paintings in her files with the same type of dress and partlet.  I am very, very grateful for her time and expertise.  Since Italian is not my area of research, I haven't put the time and effort into really investigating sources and knowing what is out there.  I am so floored by the generosity of people who have been willing to help me as I bumble along with this project.

Speaking of crowdsourcing, my embroidery hero, Kim Salazar (author of The New Carolingian Modelbook and superdooper generous designer and researcher of blackwork patterns) is attempting an interesting project.  She is using the frame from a recent design and attempting to have a design constructed by the group.  If you're interested in helping out, you design a bit of blackwork to fit into the frame and send it off for inclusion.  Check it out.  She's also got a new FREE book of over 200 blackwork fillings available for download, not to mention some silly designs (who could resist the Flying Spaghetti Monster, skulls, and octopodes in blackwork?) available in her recent posts.  Her research, stitching, and design skills are amazing and I so want to be her when I grow up (assuming that ever happens.)

In parting, there's one more cool thing about crowdsourcing.  It let me have a rather interesting conversation with my computer geek husband who's job has involved writing software that works with and supports crowdsourcing for language translation.  Not to mention the fact that he got to use the word portmanteau in a sentence.

Trying to figure out garters

As I said, the only thing I knew about garters was a brief glance at what I thought was Eleonora of Toledo's garters in PoF4. Turns out those aren't even garters. They are explained to be silk ties for her hands in the coffin according to The Cultural World of Eleanora di Toledo, Duchess of Florence and Sienna by Konrad Eisenbichler. Instead, I found this pair of plaid pink and green garters done in sprang. It's rather nifty that you can see the ends of the top one curling and twisting in the corkscrew that is one of the hallmarks of sprang. They are Italian and dated between 1575 and 1600. The time and place are perfect and even the color is right to go with my green stockings and pink drawers. The only problem is my sprang skills are in their infancy.

I own Peter Collingwood's book, The Techniques of Sprang: Plaiting on Stretched Threads and I've done a couple of very small samples but that's about the extent of my experience. In skimming Collingwood, it appears that the garters are probably done with double twist interlinking with a warp of two colors. (Page 98 if you're following along.) There's also a stripe in there. Really beautiful. Not something I think I'm capable of yet. Really, really tempting to try however. That's the reason I so rarely finish things as I tend to go off in some new research direction and want to learn a new skill. Doing the authentic garters is going to have to go in the same compartment as doing the embroidered needlecase. Something to try later. It would actually be a perfect project for Kingdom Arts and Sciences next year or possibly the following year.

Just as an added interesting tidbit, did you know George Washington wore sprang sashes in many of his portraits? 18th century military sashes were commonly made from sprang. I was fascinated when I first ran across that information in Collingwood. If you know about sprang at all its normally in reference to Iron Age hairnets so realizing that it was still popular that recently is sort of a jolt.

Sprang garters aren't going to happen, so I went looking for other options. Thanks to Larsdatter I ran across this great pair of either Italian or Spanish 17th century knitted garters with birds, hearts, flowers and figures patterned in. It also has fabulous tassels. The sprang pair has tassels as well, with some gilt hardware. That's some really detailed colorwork in fine silk thread with itty bitty needles. Not sure that will happen either but it has given me some ideas. Basically what needs to happen is a fancy narrow ware of some kind. I've done fingerloop braiding and a variety of other types of braids, plaits, and weaves. Something has got to be both fast and fancy, even if I just embroider a thick twill tape or something similar. I also definitely want tassels.